Tanya Muagututi'a and her husband, Posenai Mavaega, have been made Members of the New Zealand Order of Merit for services to Pacific performing arts.
Since the 1990s, Mavaega and Muagututi'a have provided numerous performing arts platforms for the Christchurch Pacific community to tell their stories
From 2001 to 2010, they delivered 10 Christchurch Pacific Arts festivals where local and international guests shared performance and exhibition spaces.
They have worked in Christchurch and Auckland across theatre with Court Theatre, Te Oro, Mangere Arts Centre, and major events such as Pasifika, Diwali and Lantern Festivals, and national winery and concert tours.
Muagututi'a said they were overwhelmed and humbled by the recognition and were still processing what it meant.
"I'm so pleased for Posenai because he's so humble, he's a leader and respected in our arts community especially our young men, and he's humbled by that. He's also a musician and just great with people," she said.
"We are grateful for all of the support from our family that we have had over the years and our peers and friends. We are blessed we have worked with so many amazing Pasifika and Māori artists over the years."
Muagututi'a said there was no kind of 'how to' or 'blueprint' in those early days.
"Christchurch back then, in the '80s and '90s, and maybe in the 2000s, you could experiment and fail and no-one really cared. You would get up and do something else and people would still come out and support us."
She said they made mistakes along the way. "We did things, if it wasn't there, we made it and in Christchurch there was a lot of 'we don't know', we just kind of tried it.
"We just kind of learned everything or I did, practically, learned off people, learned off my peers and then from my family and my sister who was also in the arts.
"You also learned a toughness, and I remember doing gigs and playing in big parks at family day events and everyone goes off to watch something else and we are still on stage playing to our two friends.
"Or playing in the Square during a Friday lunchtime, and that gives you a bit of toughness because if you can hold them, in their lunch hour, then you have got a good crowd, and then you know you are doing the right things."
Funding for projects in the early days was tough because they did not fit any modes, she said.
"We never fit in, we never did, we were the marginalised or the minority. I would fill out funding forms and there are all these boxes and it would say, your grant is going to provide for women, Pacific, disadvantaged, underprivileged, it was tick all those boxes for funding, because we didn't always get it straight away," she said.
"And back then it was harder because if you were working with young people and you were using arts as a tool, that wasn't seen as beneficial. And now I still do that work, and people go 'that's amazing' but we have been doing that for a really long time but back then it wasn't recognised as valuable."
Muagututi'a and Posenai Mavaega were continuing to support emerging artists at YNOT, No.3 Roskill Theatre, Kia Mau Festival and Pacific Underground's new online audio collection.
"Now our kids, who are also artists, are now working in that space and working with other young people, and encouraging little kids," she said.
"I completely trust them as artists, sometimes you have to separate yourself to do that as they are my kids, and they work with such integrity and excellence everytime and they strive for that excellence, and that's [the] standard that was actually set by us when we all started out. And I'm so proud that that is being continued."